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Friday
May212010

Dueling ipods

One of these iPods is not like the others.

One of these iPods has all the good music.

The others are full of things I merely tolerate or actively dislike. Can you guess which one of the above is mine?

We take turns using the docking station in the studio to choose music to listen to for an hour, which ends up being a bit schizophrenic. Yesterday morning I had a hankerin' for some good ol' fashioned classical, complete with violas and French horns. That lasted for about thirty minutes before someone came to me and said, "Umm, Sharon, would it be OK if I put on something else?" I looked at this person, who was standing before me with a nervous smile on their face. I raised an eyebrow. They laughed and said, "I'm sorry, but classical music makes me feel really anxious."

??????????????????????????????????????????????????????? (This was my internal response.)

"Sure, feel free to switch it," I said. We then listened to electronic house music for about ten minutes before I went to this person and said, "Um, would it be OK if we switched the music? This electronic stuff makes me really anxious." (Sorry, sometimes pay back is too fun to resist.)

Today's music check (so far): 35 mn Napoleon Dynamite soundtrack

30 mn (so far) Lady Gaga

More to come, I shall update you throughout the day.

 

Thursday
May202010

I made something, part three

I am of the humble opinion that blocking is not optional. Blocking is a requirement. Blocking is a must-do. Blocking should be on your bucket list. You should dream about blocking.

And honey, if you're reading this, blocking is not about sports. We're not talking blocked shots here.

Blocking is what you do after you knit something, plain and simple. It's like, brushing your teeth is what you do before bed. Blocking is what you do after knitting.

Everyone say it with me: Blocking is what you do after knitting.

Blocking makes everything look at least 50% better, and today I will prove my assertion definitively.

I knit my little B. a sweater. B. is my middle daughter, and we call her B. because when her older brother was a toddler he couldn't say the word baby, so he called her B. The name stuck.

This is the sweater before I blocked it. (And also before I put on the buttons.)

It's like a sweater-of-many-colors, an amalgamation of colorways striped together to make one whimsical cardigan.

See how it looks kind of... scrumbly, for lack of a better term?

I do like to make up adjectives. Earlier this week I made up twange. It means "a hint of something." Like, "This butter pecan ice cream has a twange of chocolate peanut butter. Who was eating out of two cartons with the same spoon again?"

Twange is pronounced like "twange."

First I washed the sweater. Then I either demonstrated my recklessness or my intelligence, depending on your point of view.

I put the sweater into the washing maching to spin the water out. This is a front loader -- not all of them have the spin cycle only options. If this is the case with your washer, do not try this at home. You don't want rinse and spin. I repeat: you do NOT want the rinse and spin option. I learned that to the tune of $800 worth of yarn once.

Putting it through the spin cycle gets about 90% of the water out, so your sweater is damp and not dripping when it comes out of the washer, like this. Many people use salad spinners for this purpose, especially since there's no risk of the spin cycle accidentally turning itself on and ruining your hard work.

When the sweater was done being washed, I spread it out on a clean white towel on the floor of a closet -- a place unlikely to get walked on by doggies and kitties and children. I prefer not to use colored towels for this purpose, just on the off chance that the towel bleeds color onto your hard work.

 

It still looks pretty scrumbly. What it needs is to be blocked. According to the Yarnista Dictionary, blocking means, "To make your knitting look way way better by washing it, smoothing out the garment, and allowing it to dry in its perfect state, thereby making your knitting look way way better."

So I smoothed it and tweaked it.

 

I know, shut up, right? Right?

This sweater was knit seamlessly from the top down with a yoke. I noticed that the button band was pulling apart slightly at the top, probably because the circumference of the sweater is so much smaller there, while the button band is the same width.

So I adjusted the button band to slightly overlap itself. Knowing that things have a tendency to shrink back once dry, the overlap helped it shrink back to the correct position of meeting nicely in the middle.

See? It's no longer scrumbly.

 

 

It ain't perfect, but it's not meant to be. It was a way for me to use up odd balls of Lindon Merino, and it's a play sweater for my B. that will match everything in her wardrobe.

There. Proof positive that blocking is absolutely, positively, unequivocally necessary. I lubs the blocking, and you should too.

Project Specs: Drive-Thru Cardigan by Wendy Bernard

Yarn: Lindon Merino, twelve colors (1 oz or so of each color, some a bit more, some less): Colleen, Ciara, Isla, Deirdre green, Deirdre, Nora, Cole Blue, Cole, Arctic Circle, Alice, Alice Pink, Emer

Needle size: US 8

Size: 4

Modifcations: 4" of length added in body and sleeves (my daughter is tall and skinny, and I wanted the sweater to fit for more than one season)

Buttons: From my grandmother's button box.

Notes: I loved this pattern, and would definitely make it again. It's a simple, easy sweater with both pullover and cardigan versions that would work well for either gender. Plus, it's graded for size 2-16, so you'll be able to make one for your kids every year if needed.

Wednesday
May192010

I made something, part two

I've decided to make this a three part series. Because this is my blog, and I'll divide if I want to.

Remember the thing I made?

It has buttons. These are not just any buttons, these are old buttons. These buttons are probably at least 40-50 years old, and came from my grandmother's large button collection. She had a stainless steel canister with a lid, probably meant to be a cookie jar in the 1950s, and she kept all her buttons in it from her sewing and knitting projects.

As a girl, I loved to sort through it, asking if my grandma recalled where each button came from. (She could tell me things like, "That came off of a coat your grandfather wore," or, "That came on a dress I bought at XYZ department store, and didn't like, so I cut them off and changed the buttons.")

People don't keep button bins anymore. But they should.

Because, who knows?  Someday your granddaughter could own a yarn business and would want to knit your great-granddaughter something that will require buttons.

And who knows? Something from your cast-off dress could end up on your descendant's clothing.

Your descendants would likely think that was very cool.

I think I'll start a button bin.

More on this something I knit tomorrow.

In the meantime, can I just say? I really like the colorway Alice when it's all knit up. Alice is even better in the garment than she is in the skein:

 (Alice is the blue, pink, yellow, white, and black section in the middle of this shot.)

Hasta lapasta!

 

Monday
May172010

New colorway!

And it makes me happy. It makes me happy to look at it, it makes me happy to dye it, it makes me happy to pack it up and ship it off to its new parents in Florida, happy enough to keep a skein on my desk and a skein on my packing table just because I like to see it.

This is called Gulf of Mexico, and it's made to mimic the serene, tropical waters found in what is sometimes known as the American Mediterranean.

Gulf of Mexico is kettle dyed in clear turquoises and greens, with small accents of watery blue-grey. Kettle dyeing means that the color variation is randomly distributed throughout the skein, minimizing the chances of color pooling. And because this is a low-contrast colorway, you can safely use this for complicated stitch patterns, cables, or lace. But it's also interesting enough to stand on its own in a plain stockinette stitch.

I broke out my new Signature Circulars to knit a small swatch of this gorgeous colorway. Gulf is the perfect antidote to an ailing mood or a flagging spirit -- it's calm but cheerful, and wearable by absolutely anyone.

Gulf of Mexico is available exclusively at one of our lovely retailers: A Good Yarn Sarasota. Susan at A Good Yarn is very lovely and very happy to take orders for this colorway. I know she has it instock on the following yarns:

  • Adorn Sock
  • Springvale DK
  • Springvale Worsted
  • Springvale Bulky
  • Wexford Merino Silk
  • Galenas Merino

You can reach A Good Yarn via email at: info@agoodyarnsarasota.com

via telephone at: (941) 487-7914

via the web at: www.AGoodYarnSarasota.com

and in person at:  

7668 S Tamiami Trail

Sarasota, FL 34231

I'm planning a trip to A Good Yarn in November -- I can't wait to visit the shop in person! In the meantime, place your orders for Gulf of Mexico, and enjoy a little piece of paradise.

P.S. A Good Yarn also has a bunch of our new spring rainbow colorways on Adorn Sock -- you could add those to your package while you're at it!

 

Friday
May142010

I made something.

I made something out of yarn.

I made something out of yarn that I dyed.

I made something out of yarn that I dyed for one of the children that I grew.

I made something out of yarn that I dyed for one of the children that I grew and she's very happy with it.

I made something out of yarn that I dyed for one of the children that I grew, and she's so happy with it that she wore it to school today.

And that made me happy.

Raise your hand if you've made something for one of your children that they refused to wear.

 

 

Isn't that just the best? Isn't it just wonderful when your beloved refuses to wear what you spent hours and hours and hours making?

But this is a happy post. Back to what I made:

 

There it is. The bowl that I knit in the sink that I crocheted.

Will the bowl hold water? Let's wait and see.

It does help to enlist the water-testing services of people that you grew.

I like to tell them this often: "I grew you."

"Eat your dinner. I grew you, and you're eating it."

"Look me in the eyes. Right here. LOOK AT ME. Those eyes that you're looking at me with? I grew them. OK? STOP MESSING WITH YOUR SISTER. I grew you."

Try it sometime, they love it. LOVE IT.

Into this tepid(ish) warm(ish) water I put some wool wash. Like a teaspoon or two. Just eyeball it. With the eyes that your mother grew for you.

I'll wait while you call and thank her for growing you a set of eyes.

Then, into this mixture, I put the thing that I made.

I like to lay my wool garments on top of the water and watch how long it takes for them to get soaked enough to sink below the surface.  I should time it sometime -- with Lindon, the yarn I knit this thing with, it took quite a while. Lindon Merino is a minimally processed yarn, and it retains a lot of the natural lanolin, so it's naturally water repellent.

Yarn Under Water: The Exhibit. Perhaps a  local gallery will sponsor an art show.

Here's what it looks like when you get distracted cooking dinner for the people that you grew and you come back three hours later:

Soon, I'll show you how I block my knitting. I lubs the blocking! It makes everything look at least 50% better.

Hasta Lapasta!

 

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